That’s just about 50 per cent for Vishal Dadlani. Ghungroo stands out in comparison to Jai Jai Shiv Shankar. The background score works when accentuated by the sound of engines revving, but otherwise remains unnoticed. War credits Vishal Dadlani, Daniel B George (background score) and Shekhar Ravjiani for its music, but it is strictly passable. The film also stars Vaani Kapoor, and since she doesn’t make an appearance until after the interval, and that too, for literally three scenes and a song, you will need this reminder. But Kabir and Khalid have a bone: Kabir shot Khalid’s 'gaddar’ father dead can Khalid accept his father’s murderer as his boss? Yes, he can, if it’s about the watan and that right there, is what makes War a perfect Gandhi Jayanti release. And you know that, if nothing else, War is going to be paisa wasool.Īfter much persuasion from Rana, where he most likely yelled Sangharsh-style at least once, Kabir lets Khalid join his uber-secret team that’s about to set out on a mission to nab a 'global terrorist'. He, of course, beats them to a pulp, singlehandedly. But with zero preparedness, he jumps into a room where, we’re told, a weapons’ deal is being hatched, in his white linen pants, a blue tee, no guns and the ugliest cell phone we’ve ever seen since Siemens C35. The very next scene introduces us to Tiger aka Khalid, a promising young fellow, with dreams of making the nation and his Ammi proud in his squinty eyes. Like in every other spy thriller Bollywood gives us. We meet Kabir at a point when he’s supposedly gone rogue killing highly placed India administrators, against orders, of course. Kabir is the best agent India has, because when has Bollywood ever made a film about the second best? He reports to a rather paunchy Ashutosh Rana aka Colonel Luthra, who in turn reports to a Nirmala Sitharaman-looking Defence Minister.
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